Some on here may know, I have a personal interest in auditory biofeedback and stroke recovery. It appears to be an area that is still in its infancy, and I guess that makes it fair game for survivors to conduct their own assessments and observations. I recently read a study about a cerebellar stroke survivor who had seven cerebellar strokes, and was a participant in a music therapy study where some improvement and progress was achieved over his symptoms.
The basis of the study was a “Therapy [that] focused particularly on facilitating the CS survivor to produce his own exact and fluent movement and generate his own vocal cues via rhythmic reciting and chanting.”. And part of the discussion suggested, “The use of self-generated vocal cues would be a particularly interesting focus for further research.”. I agree.
I mentioned to @jonnypike22 on his post that the vermis, which separates both sides of the cerebellum is like an integrator for sensory input (particularly audio) and locomotion. If the brain can invent sound that doesn’t exist (tinnitus) and turn up the volume on pitch (auditory overload), then it also makes sense it works the other way. That sound is a powerful tool at our disposal when improving our brain’s state of function.
I don’t expect anyone to read the aforementioned study, but I wanted to post about it because adding sound to a rehabilitation routine may just help things a little. It’s not just about listening to some music, but about focussing on rhythm, rhyme, and vocal cues to guide the brain back into a state of homeostasis. Something that can be applied to everything we do, and not just to the periods of time we exercise.